Archive for March, 2014

What with all the snow & cold & sniffles & whatnot, I discovered myself last week without a thing to wear. Yes, really. I couldn’t remember the last time I’d been to the laundromat and foraging about the back of the floor of my closet yielded nothing but a few fossilized hairballs. So, heaving a sigh, I filled one basket with Warm and a second with Cold, and set off into the wilds of Sunderland, where my favorite (because usually empty) laundromat awaits.

Because I hate doing laundry so much, I always take something along that might at least give me a tad of simple pleasure, for balance —  usually an art book or journal or just some purty pictures. This time I brought a very plump overview of what the blurbs  contend are the most majorly exciting artists on the scene today (or at least yesterday, since the book was published  in 2008).

I did like a lot of the pictures – 2008, if you’ll remember, was a year filled with taxidermy, toys, and, as usual, huge inhuman installations — but what I found most striking was the language with which these works were described. I’m wondering now if the jargon of 2008 still works today and, if so, should I be taking more advantage of it.

Here’s a list of words and phrases I found in the text which, I think, are intended to indicate that the work under discussion is Very Very Very Important and Earthshaking and Cool:
visual and visceral — appropriation — decontextualization — multiple encoding — iconic — temporal flow — not strictly ocular — juxtaposition — deliriously infantile — revealing cultural codes — strange, mysterious quotidian objects — transformational — process — post-non-representational —

And so on. I’m sure you know where I’m heading with this (don’t use a small word when a bigger or more obscure one is available), but you can’t really get the true flavor without the surrounding text, which both in style and substance declares itself an art know-it-all, with the perfect vocabulary to set itself apart from the yahoos of the world.

Possibly I can boost my own art career by making more and better use of these and other polysyllabic words & perplexing terms. People will read my artist statement and scratch their heads, but by gosh they’ll pay attention and maybe even think I’m some kind of genius.  Then again, possibly I need to get a brand new book describing in brand new, yet still obfuscatory,  jargon just who’s the hottest of the hot cutting-edge artists of 2014.




Dear fellow starvelings,

We last left our heroine (that is, me) talking oh-so-knowledgeably about art brut & being self-taught & stuff.
That was, hmmm … MONTHS AGO!

I’m still here, getting through this horrendous winter as best I can, draping cats over me for warmth, and hoping my gel medium doesn’t freeze.

I actually have a show up, sort of.  A group of 12 collages, all having to do with literature, all displayed in local bookstores to celebrate National Book Month.  “But,” you say, “that was JANUARY for pity’s sake!” Yes, yes it was. I was supposed to gather up the pictures the beginning of February but a combination of snow, below-freezing temperatures, and The Cold That Wouldn’t Go Away, has made me extremely late in retrieving my wayward pics. When I get them back, I’ll show you a few of them so you can get the idea of what I was aiming for.

I also have to submit my application for reimbursement of expenses (I got a grant from the Northampton Arts Council for this project), which seems backwards to me.  I needed the grant money most when I was actually getting the supplies.  Better late than never, though – and I am grateful for the grant.

If you’re read carefully up to this point, you will have noticed that I made 12 (count ’em, twelve) collages for this deal. Big ones, too. I loved doing them, but I was working like a fool for months getting them just right. I’m still suffering from post-artum stress disorder and have been diligently working on books to re-fill the shelves of my own bookstore.  I usually work on pictures after the store closes, but I haven’t picked up a color pencil or a brush for a few weeks now.  I’m sure I’ll be all peppy & full of vim & vigor once this SNOW GOES AWAY! (< hint to sky-god).

In the meantime, in case you’re interested here’s a link to an article about the show.

You will note that the picture came out very badly. It does look better in person. It does! It does!

Nobody ever said this was going to be easy.